Podcast – The Phone – A Horror Short Story

 

Welcome to the Cairns Writes Fiction Podcast. Every week I’ll be reading a short story or piece of serialized fiction.

This week’s story is called The Phone

Daniel is close to breaking. There’s only so long he can handle looking after six kids before he snaps. So when little Biebo hands him his plastic phone and tells him it’s for him, he does what any self-respecting parent would do, and answers it. Bad call. Very bad call.

Written, Read and Produced by Michael Cairns

The next episode will be available to download next week. Happy listening.

 

Podcast – The Party – A Horror Story

 

Welcome to the Cairns Writes Fiction Podcast. Every week I’ll be reading a short story or piece of serialised fiction.

This week’s story is called The Party: A horror story.

Sandra’s been invited to a party. The whole family can go and it’s a great way to meet people in the new neighbourhood. But there’s a typo on the invite and if there’s one thing Sandra can’t stand, it’s scrappy proof reading…

Written, Read and Produced by Michael Cairns

The next episode will be available to download next week. Happy listening.

Jasper – A Frustrated Ghost Story

Hi folks

I’m a little late for Halloween, but it’s never a bad time for a ghost story, even if it’s a silly one. 

This is the tale of Jasper, poor, humble ghost. Destined to haunt a clapped out Fiat Uno for the rest of his immortal days, he sees a last-gasp attempt to change his world and grasps it with both hands.

 

Jasper was surprised and not just by the sounds of lips crushing together in the front seat. That was surprising in itself, what with the car’s owner being just about the saddest, most unattractive man ever to drive a Fiat, which was really saying something. What was far more surprising was the presence of a woman so outstandingly beautiful that even he, in his incorporeal and normally entirely-sexless state, was aroused.

Aroused was the wrong word. It brought back old memories of hardening in certain places and softening in others, of the rush of desire and the racing of a heart he hadn’t felt beat in over fifteen years.

A better word was admiring. He admired Tony for not only convincing such a lovely to spend time with him, but also to come in his car and engage in some tonsil hockey with him. He also admired her. She was long in the leg and possessing of a heart-shaped face framed with long dusky-brown hair and eyes into which any living man would happily lose themselves.

Jasper couldn’t lose himself. He’d been trying. God, he’d been trying. He’d spent most of the last fifteen years trying every damn thing he could think of to find that elusive freedom. But nothing worked. So instead he spent his days driving to and from work with Tony and spending long dull hours in the car park.

In a vain attempt to block out the sound of Tony’s increasingly heavy breathing, he thought back fifteen years to the day when this car, driven by an old and not-entirely sane old man called Mr Hilson, ran him over. The pain had been indescribable, which wasn’t such a bad thing as he had no one to whom he could describe it. One minute he was waiting for the bus, the next, BLAM!

 

He had about five seconds on the pavement, looking up at the bumper before something shifted and he left his body. The person who appeared before him wasn’t the driver. Some dude in a white baseball cap and robes that were far too white to be real sprang into life and shook him by the hand.

‘Hi, Jasper, that’s a tough one.’

‘Tough one?’

‘You dying and all.’

‘I’m dead?’ He looked down at his body and the crowd beginning to flock about it like seagulls around an unguarded ice cream cone in the hands of an inexperienced child.

‘Oh yeah. That sucks.’ Jasper said

‘Absolutely does. Couldn’t have put it better myself. Still, that’s life.’

‘Actually, isn’t that death?’

The angel, because after all, that’s what Jasper had to assume it was, burst into laughter, holding his sides until tears ran down his face.

‘Yeah, enough already, I wasn’t actually trying to be funny.’

The man in white stopped, wiped a tear from his cheek and nodded. ‘So, kid, what’s the choice?’

‘Huh?’

‘Well, you have two choices. You’ve been killed in a tragic way and not taken from this realm. Could be someone thinks you want revenge, could just be they’re on their lunch break up there. I don’t know. What I do know is that you now have a choice.’

‘And they are?’ He sighed. It didn’t carry much weight now that he didn’t have lungs, but he put everything into it and felt at least slightly better. This was unlikely to end well.

‘Choice one,’ the angel ticked them off on his fingers, ‘you can come with me to purgatory. You probably won’t be there long, just until someone gets back to the desk upstairs. Hah, I’m just kidding.’

‘About what? The choice or the desk thing, cause neither’s very funny.’

The angel wrinkled up his nose. ‘Ease up, young fella, just trying to lighten the mood.’

‘Lighten your own mood, but do it quietly.’

The angel raised one perfectly-manicured eyebrow. It stood out, white hair against his black skin.

‘Do you dye your eyebrows?’

‘I beg your pardon?’

‘Do you dye your eyebrows. I mean, I’ve never met a guy with white eyebrows before.’

‘You met many angels, have you?’

‘No, admittedly, you’re the first.’

‘Well then.’

Jasper waited. The angel waited. He blatantly dyed them. Weird. ‘What’s the second choice?’

The angel rubbed his hands together. ‘Ahah, this is the fun one. The other choice is to become a ghost. You can haunt this sucker until he goes stark-raving mad.’

‘Nice. What an angelly suggestion.’

‘Haunting is a perfectly legitimate way to spend your afterlife.’

‘Is being a ghost like I think it is?’

‘That depends upon what you think it is. You can’t touch anything so you can’t feel. You can’t talk to the living, except the one you’re haunting, and most of the dead will ignore you.’

‘But I’ll still be here?’

‘Yes.’

‘What’s the catch?’

‘You mean, aside from not being able to touch anything or talk to anyone?’

‘Yes, aside from that?’

‘Nothing.’

‘You’re sure?’

‘Absolutely.’

Fiat Uno

The words echoed round and round and drowned out, for just a moment, the sounds of Tony’s tongue working overtime. That lying bastard of an angel. In all his explanations, he avoided mentioning one key part of all this. He was haunting a car. That meant being stuck to it for the rest of his eternal and painfully long life.

Jasper went on holiday in the boot and would occasionally spend a few crazy minutes going round with the tires, but the truth was, there was little joy in haunting an automobile. He’d made the best of it though. The old man who ran him over went completely mad a few months later, thanks, he liked to think, to his outstanding haunting. After that, the Fiat was sold to a seventeen-year-old Tony.

For some reason, Tony couldn’t be haunted. He didn’t react to any of Jasper’s excellent scary ghost noises and the small points of contact he’d established with the old man didn’t work. Fifteen years on and Tony was boringly sane. To make it worse, the car was seeing more action than at any other time in its life.

One of the downsides of being a ghost was a complete lack of libido, so having a hot girl being slowly undressed before him was about as stimulating as Tony’s long and futile rants to talk radio that occupied their long trips home. Stimulating wasn’t a word Jasper would ever use to talk about Tony.

He went to work every day, occasionally drove to the cinema and on one, particularly memorable, Sunday last year, drove up into London. Fourteen years of the dull bastard, with at least another fifteen before the car gave out.

Jasper sighed and whimpered a little, before raising himself out of the foam and assuming his usual place atop the dull-grey back seat. With luck, Tony and his unexpectedly-hot conquest would transition to the back seat and he could go up front and stare at the sea.

The waves were one of the few sounds Jasper still enjoyed. There was something in them that soothed him and calmed the anger that boiled below his… the top layer of his ghostly figure. He took a pointless deep breath and closed his eyes. As per usual, the lack of eyelids made him groan and thump his hands against the seat.

He thumped his hands against the seat.

He was touching the car.

His eyes widened and he shouted in delight. That was when he realised the couple in the front seat had gone absolutely still.

‘Tone, what was that?’

She called him Tone. That was so sweet. Jasper ground his teeth together and stared at them. They were staring straight at him, although of course, they weren’t. He tried a sound.

‘Woooooo, I’m going to eat your face.’

Not his best line, but the girl went a lovely shade of bloodless white to match her knuckles where they gripped the side of the chair. Tony looked bemused, as though he could maybe hear something, but wasn’t sure. Or maybe he was sure, but had decided he wasn’t going to believe it.

‘I really am. I’m not joking. I’ve got fangs the size of your arm and I’m going to tear you up.’

He grinned, nodding as he rocked back and forth on the seat. The car creaked and his smile broadened. It was like all his power had returned, just like that.

‘Tone, what the hell is going on? This isn’t funny, if this is supposed to be funny, it isn’t funny.’

‘Sweetheart, I’m not doing anything, really. What do you think is going on?’

‘Someone’s speaking and the car is creaking.’

‘Well, it’s an old car—’

‘So old cars talk, do they? Come on, take me home.’

‘Oh, come on, don’t be like that, I—’

‘I will come for you while you sleep. You think you will be safe but just when you lay your head on the pillow, I’ll be there.’

Jasper surged this way and that, slamming against the windows and backs of the seats. This was it, this was his chance. When she glanced into the back seat, he saw the tears in her eyes. They were wide and moving rapidly from nervous to outright terrified.

He had to drive her further, take her to the brink until she did something stupid. The sound of the sea came to him and he smiled. Of course.

‘Go. Drive now, as fast as you can. If you don’t, I’ll kill you. I’ll rip out your entrails and use them to hang you with. I’ll pull your hair out and shove it down your throat until you choke. I’ll tear your limbs off one by—’

‘Tony, we have to go.’

‘Wha—’

‘NOW. We have to go now.’

‘Sweetheart, we aren’t going anywhere, we just got here, I mean, come on.’

The petting became a fight. It was glorious to watch as she leaned across Tony and started the engine. He was so surprised he sat and watched her grab the wheel.

‘What the hell are you doing? We aren’t goi—’

‘JUST DRIVE, PLEASE, JUST DRIVE, PLEASE—’

‘I’ll eat your liver. I’ll tear it from you while your heart still beats and—’

‘Please,’ she was sobbing now, tears running down her face. It was so close, ‘please, we have to go.’

Tony, in his infinite stupidity, tried to put his arms around her. She punched him in the stomach and took the handbrake off, grabbing the wheel. With every ounce of strength he could muster, Jasper booted the back of Tony’s seat. It was the equivalent of a nudge, but it was enough to surprise Tony and distract him from the car beginning its slow roll forwards.

‘Honey, just talk to me for a minute, okay. Come on, what’s wrong. Was I coming on too strong?’

The lady had her face in her hands and was crying as she shook it back and forth. ‘Please, just go, just drive.’

‘Neither of you will survive. I will end you so no one even knew you existed. Your children will not remember you—’

‘I don’t have any children.’ She howled into the air.

‘But you would have. And when you did, they wouldn’t remember you.’ Okay, that one sucked.

She raised her head and stared into the back seat. Her mascara was smeared across her cheeks and her mouth shook.  Their gaze met but he didn’t think for a second she could see him. Except when she spoke, it sounded like she was speaking just to him. ‘I’ll never have kids, not since granddad went mad. I couldn’t do that to my kids.’ The answer came between sobs.

A smile lit up Jasper’s face as it all clicked into place. She’d mentioned something about it being creepy making out in her granddad’s car when they pulled up. That was why it was working. That was the secret. She was old Mr Hilson’s grand daughter. Old Mr Hilson who’d run him down all those years ago.

‘Your grandfather was called Hilson.’ He used his best, scary doom and gloom voice and grinned even wider as she clapped her hands over her mouth.

‘I drove your grandfather mad. It was me who did it and I’ll do the same to you. You will all go mad, every last one of you. You will never be safe, you will never be alone.’

He waited for a response but she was past caring. Following that joyful revelation, she was past doing much of anything except cry a lot and be hysterical. Jasper felt the slightest pang of guilt. She was innocent and didn’t deserve to die. Still, too late now. Ho hum.

Tony opened his mouth then seemed to realise the car was moving. Now you’d think, in this sort of situation, the driver would respond logically. He had two brakes he could apply at any time. They were moving fast enough that it might have taken both, but that was also an option.

Unfortunately, when the girl you had been certain you were going to do the dirty with only moments earlier was in a sobbing ball of tears beside you, things don’t happen logically.

Tony yanked the wheel. He was, ostensibly, trying to wrest it from her hand. However, what he did instead was haul the car straight across the narrow strip of gravel that formed the rest of the parking area and aimed it at the cliff edge.

As they struck the wooden barrier, Jasper had time to reflect how lucky it was that he wasn’t haunting a smart car or something else small enough to be stopped by it. Then they were over and the car tipped nose down. The fall was well over a hundred feet and the last words Old Mr Hilson’s granddaughter heard were,

‘Free at last, free at last.’

 

 If you’re reading this on Monday 3rd November, you have until the end of today to download Thirteen Roses Book One: Before for FREE! It’s an Apocalyptic Zombie Fable featuring the Devil, Demons, Succubus, a bunch of hapless but not helpless humans… and zombies. 

Amazon.com

Amazon.co.uk

It’s just reached the top ten for free books in Post-apocalyptic horror in the UK and is in the top thirty in the US!

Blog Hop – My Writing Process

Hi Folks,

We’re having a brief interlude in Scarlet’s Web today because I was asked by the lovely Jonathon Fletcher to participate in a writing process blog hop.

Below are four questions and my answers about my writing process. Beneath them is a link to Jon’s blog where you can read his answers to the same questions. I’ve tagged another great writer, Kela Lewis-Morin and will add a link to his blog when I have it later. Please check them out once you’ve read this.

Without more ado…

reflected birds

1. What am I working on?

I’ve been working on the next story for the blog. The Life Without Tumblr series has lasted six months and come to almost a hundred episodes, so it’s time for something new. It’s tentatively titled The 13th Rose.

Every morning, the Flower Seller leaves his chambers in the Flights and travels to earth. He sets up his stall on Embankment and waits. Every day he meets his one customer, to whom he sells a bunch of twelve red roses and gifts one extra. His subject has already been chosen for him. His task is to pull that person away from the edge and save their soul, regardless of what state it’s in. For some the choice means life and death, for others, lies and deceit.

But this week isn’t going well. If he doesn’t hit his quota, he’ll get banished and what’s worse, the Father is coming to visit on Sunday.

One by one our characters are introduced and one by one, they make their choice. Come the end of the week, everything changes and the world as we know it will cease to exist. Who will still be standing to take their place in the wreckage?

It’s part character study, part zombie apocalypse, part fantasy. The usual mash up and so far, great fun to write.

In terms of editing, I’m mid-re-edit on The Spirit Room while the third book in The Assembly trilogy is with my editor. I’m tidying up the language and refining it more than anything. I’m also formatting the ebook and print editions of A Game of War seasons One and Two in time for late May release.

2. How does my work differ from others in my genre?

Hopefully the answer above gives you some clues to this one. My favourite reading genre has always been fantasy first and foremost, with science fiction and horror close behind. My favourite TV and movie genres have always been Urban Fantasy and Zombies/Horror. I’m a huge comic fan and have been all my life.

These genres all fit together so well, I couldn’t figure out why they shouldn’t be combined. So my Epic Fantasy assassin trilogy, ‘The Assassin Cycle’, features zombies, and my epic fantasy ‘1000 Hours’ features characters with super powers. My modern-day-magician series, ‘The Broken Circle’ has goblins running around London and The Assembly Series features superheroes, alien invasion and the world’s greatest magicians.

Aside from the genre-splicing, I’m hooked on characters and always have been. My aim is to create characters within fantasy that affect the reader as much as those in any other genre, something I feel has been missing in many of the books I’ve read growing up. I’m not sure I’m there yet, but I’m working hard on it.

3. Why do I write what I do?

I write because I love to write and love to tell stories. I write what I write because I love the freedom and the escapism. Growing up, fantasy gave me new worlds in which to exist; an escape from real life and all it entailed. I get that in most books I read, but fantasy was always an especially exciting prospect because you didn’t know where you were escaping to. Plus, of course, dragons. And swords. And zombies.

Why content yourself with writing ‘person A travels to place 1, meets person B on the way and they fall in love’, when you can write ‘person A travel to place 1, finds the sword of Danelar, meets person B who turns out to have magic powers. Together they defeat the Witch King of Shail and fall in love’?  Maybe it’s just me, but I know which I’d rather read and write.

being creative is not a hobby

4. How does my writing process work?

I’ve been working on this a lot in the last year or so. I’ve read countless blogs that tell me to plan and outline and so forth, so I’ve tried, in various ways. However, my basic process has stayed the same. I sit at my computer, open a new Scrivener project and start typing. I will have nothing in my brain. In fact, the emptier it is the better.

By the end of the first page I’ll have a character, maybe a place and some questions.

By the end of the first chapter, I’ll have the answers to those questions in my head and lots more I can’t answer.

By about five thousand words, I’ll have a world. My protagonist will have an aim, some baggage and if they’re really lucky, some friends. They’ll also have an antagonist.

By, hopefully, twenty to thirty thousand words, I’ll have an ending in my head. I’ll also know whether the book is standalone or part of a series/trilogy.

there's nothing to writing

That’s the process. From there till the end I put my head down and write. I try to write my first draft as quick as possible in order to stay in the flow, so I’ll average 25-30,000 words a week and bash it out in three to four weeks.

I then put it in the drawer with the rest and let it sit. When I come to edit, I read it cover to cover. If it still excites me, I begin to pull it apart and make it work. If it doesn’t, it goes in the virtual bin of ‘useful things I might use one day but probably won’t but can’t bear to throw away’. 🙂

I don’t ever take a break from writing, so in the last fifteen months, since I started writing seriously, I’ve clocked up around twelve books and a bunch of novellas and short stories. The real positive about this is that it stops me being too precious about my work. I don’t feel I have to use everything and it has to really stand out to make it to the editing stage. Now if I only had a bit more time…

we rarely know where we are going

I hope you’ve enjoyed a little dip into my writing life, do pop over now and check out Jon’s blog on GoodReads for more writing related goodies. It’s interesting how different our processes are to achieve the same end goal.

I’ve tagged @KelaLewisMorin…link to his post on Deviant Art coming later.

Thanks so much for reading. Please leave a comment if you have any thoughts on my process or would like to share your own. Scarlet’s Web will return on Wednesday, when she’ll finally meet the Council…

What if you woke up one morning and everyone you loved thought you were dead? (Part 4 of 4)

A brief note: This is a horror story. It’s not supernatural horror, but rather entirely real and horrible horror. It contains a few profanities, and if you’ve been enjoying the Scarlet stories, please be warned, this is quite different. 

 

She was cold. It was cold. It was, in fact, bloody freezing. She thought she had a headache, but she couldn’t be sure, because she couldn’t actually feel her head. She lifted it, and groaned, and threw up. Nothing in there except bile, but plenty of that came out, pooling on the grass. Smelled funny.

She could barely move, the thumping so insistent the rest of the world meant nothing. No sounds, nothing coming through. She rolled out of the hedge, and staggered around, until she stood at the foot of the driveway. She clenched her vagina so hard she thought it would close up permanently, but it made no difference. She could still feel him.

The bag hit the floor. Her hand came up, knife wrapped in whitened knuckles. She was dead. She was about to be free. She giggled, and stared at the knife. Where had she got it from, and why the hell did it have string around it?

She was standing in front of the door, round the back of the house. The cat flap cracked open and a small grey cat emerged, sniffing the dawn air. She knelt, holding out a hand, and it sniffed it, before mioawing peacefully and twining between her legs. She knew its name. Somewhere. Not now though.

She tried the door. It was locked. She bent, lifting the flowerpot, and pulled out the spare. She went inside, closing the door softer than a feather behind her. Not a peep from upstairs. Maybe. All she could hear was thump thump thump thump thump thump thump thump thump thump thump thump thump thump thump drip. There was blood on the floor, what was that doing there?

© Mike Chytracek | Dreamstime Stock Photos

© Mike Chytracek | Dreamstime Stock Photos

She stepped into the house, sniffing through the blood. She could smell it, the absence of her. And cold, and the smell a house got when it stopped being a home. It hadn’t been home for years, even the social worker had said so. ‘This just isn’t a home anymore, Tom, Sandra, you need to make it a home, just for the kids, at least.’

Tom. He’d never let her call him that, even after she refused to call him dad.

She knew the route up the stairs, missing out the creaking steps, and across the landing to his bedroom door. They slept in separate beds. Even when she was really young she knew it was weird. Handy though, now.

She lifted the knife, staring at it in the dim light creeping through the curtain. It was so simple. Why hadn’t she done this before she died? Oh yeah, she’d have gone to prison. Now though, well, they couldn’t send a ghost to prison, could they? Who was Lucy Tenor? Why did that name sound so familiar? Was she a friend, back when she was alive?

The bedroom door whispered open, and she slipped in, closing it behind her. He was a lump in the bed, asleep, helpless. He wasn’t threatening. He couldn’t be, not now, not now she was a ghost. A ghost with a knife. She giggled.

She was beside the bed, staring down at his face. He looked so young when he slept, all the lines gone, even the angry ones that never seemed to leave his forehead. Would he know why she did it?

The knife came up, and then down, and his eyes shot open, but she raised it again, and one of them vanished, replaced by a splash of red. She wiped her nose, and brought the knife down again, and again, and kept wiping her nose, as more blood appeared. She should apologise, she was going to ruin the sheets.

Someone was screaming and she smelled smoke.

 

The light was so bright, she didn’t dare open her eyes. But the throbbing was gone. She smiled, beatific, and sighed. She must have gone up, gone to heaven. She’d imagined she’d haunt somewhere, his grave maybe. But she couldn’t complain, heaven was a just reward for what she’d done…

Voices, coming closer. ‘He’s alive, Mrs Picket, but there’s very little likelihood he’ll be the man you knew. I’m sorry, the brain damage will be too severe.’

‘And her?’

Silence for a moment. Was she, her? Who else would it be?

‘She should make a full recovery, but the police will want to speak with her, of course.’

‘Of course. What happened to her?’

‘She had concussion, very bad concussion, and I would guess, some form of post traumatic stress reaction, triggered by the explosion.’

‘She cut off her hair.’

‘Yes, Mrs Picket, though I’m not sure that’s the most extreme thing she did.’

More silence. Mum knew, she knew everything. ‘Actually, nurse, I think you’ll find that was. I’ll wait with her.’

‘Yes, well, the police will be here soon, I’m sure.’

‘Thank you.’

A hand touched her face, stroking her brow. ‘Sally, my love, what did you do?’

Her eyes cracked open, and a smile crossed her face. ‘I’m not Sally, my name’s Natasha.’

What if you woke up one morning and everyone you loved thought you were dead? (Part 3 of 4)

A brief note: This is a horror story. It’s not supernatural horror, but rather entirely real and horrible horror. It contains a few profanities, and if you’ve been enjoying the Scarlet stories, please be warned, this is quite different. 

 

There was something strange about the train. She was going home, just as she’d done before, only not. She laid her head back against the train seat and took deep breaths. She felt worse this morning; her headache was constant, however still she remained, and she hadn’t managed to keep breakfast down. Buying the right ticket had been a task requiring supreme concentration, and even then she’d dropped the twenty three times before getting it into the slot.

She’d done the trip just enough for the familiar fields, and pylons, and rows of gardens, to bring up that nostalgic feeling really crappy, manipulative movies gave you. Only, in the movies, every garden didn’t have one of those outdoor trampolines in. She giggled, and felt warmth on her lip. She touched it, and her finger came away with blood on it. The woman opposite, who’d spent the first five minutes staring until Natasha glared at her, pulled a packet of tissues from her pocket and offered her one.

She took it, nodding and trying a smile. The lady smiled back, one of those ‘well, well, isn’t it a shame’ sort of looks that made Natasha want to pull the knife out of her bag and have at her. She bit her lip instead, and scrubbed the blood off, before holding it to her nose. She never got nosebleeds, and neither did Sally.

‘Are you alright, deary?’

Oh god, she actually wanted to talk. Apart from her momentary career as a non-hooker, she hadn’t spoken in over a week. She wasn’t sure she still knew how. ‘Uh, uh, fine, yes, fine, uh.’

Turned out she did, sort of. The woman narrowed her eyes, but nodded, and came again with the smile. Natasha slipped her free hand into her bag and felt the knife, stroking the thick handle, the roughness of the string she’d wound around it. They never used string in murder movies, but why not? Worried about finger prints? Easy, wrap it in string, then burn it off.

She shook her head, and giggled again. The tissue was soaked, and the lady offered her another one, but she should probably go to the loo and have a look. God, the train’s bloody wobbling all over the place. She bumped her way down the aisle, hips cushioning most of the blows, hand still cupped over her nose.

© Marc Johnson | Dreamstime Stock Photos

© Marc Johnson | Dreamstime Stock Photos

What was wrong with her eyes? The mirror was one of those tiny, thin things, you couldn’t see you whole face in, but she could see her eyes, sunken and bloodshot. She looked like a druggy, which wasn’t a bad idea, way she was feeling. She bowed her head, staring in wonder at the short tufts of hair. They wouldn’t recognise her now, even if she did show up. And hey, she’d got two hundred pounds and it was a snip at the price. Hah, that was good.

She looked at her nose, taking her hand away, and blood seeped down and dripped into the sink. Natasha hauled reams of loo roll out and smothered her nose, then dropped it into the toilet and grabbed more. She stood, head tipped back, leaning against the door, until a knock on the other side made her jump, and shriek in pain as her head pounded and thumped.

She opened the lock, grabbed more loo roll, then staggered back down the carriage. The woman opposite was gone. She slumped in her seat, and tipped her head back, smelling smoke and charred flesh, and screaming. No, she heard the charred flesh, surely, you don’t smell flesh.

They were here, wherever here was. Home, not home, just another place. Only dad was here. She fingered the knife as she stepped down from the train. The bleeding had stopped, but now the world was spinning, and she had to sit on a bench for a while.

It was night time, which was strange, because she’d caught the morning train. ‘Come on, love, out you go?’

She peered up at the man in the uniform, and nodded absently. She stood, and saw the sign, and went cold. She was in Stevenage, why was she in Stevenage, he was here, she had to get back to London, where were the bloody trains? She grabbed her bag, feeling the hardness within, and her heart slowed. Of course, that’s why she was here. Just a flying visit, to pay respects. Heh.

The guy was doing everything except shoving her, so she concentrated on walking a straight line out of the station, and onto the wet pavement. When had it rained? The taxis were waiting and she flagged one, dropping into the back like a sack of potatoes. She mumbled her postcode and watched the same old streets amble by. The driver could probably have gone slower, but only if he got out and pushed.

Where was her money? She needed to pay for the taxi. She shoved her hand into the bag and found the knife. Of course, she didn’t have to pay for anything now, she was dead. She giggled, making faces into the rear view mirror. He couldn’t see her, you can’t see ghosts, everyone knew that. She patted her jacket pocket and felt the wallet and opened her mouth as wide as it would go, moving it from side to side, staring at her reflection with wide eyes.

‘Sorry, love, any chance you stop doing that please, can’t see the road?’

Her mouth snapped shut, and she put her finger to her lips, shaking her head vigorously. She giggled, rocking back and forth.

‘Eer, love, you alright? You want me to drop you at the hospital?’

She felt her nose, and the blood that had just erupted from it. She shook her head, and he shrugged and kept going. He might have mumbled, ‘well, keep it off me bloody seats then,’ but probably not. He definitely did mumble. ‘Bloody ghosts, can’t trust em with nothing, these days.’

They entered her street and she piled out, shoving some money across the front seats. She almost left her bag, but he grabbed it and handed it to her. She snatched it from him, cradling it to her chest like a baby, and smiling. The blood was dripping from her lip, and she scrubbed it off with one hand, and stomped down the street.

Sunset

She could smell smoke again, and hear noises, the crash of the glass and the screams. The hedge in front of her old house was made of huge fir trees and she crawled beneath them and closed her eyes.

Next Instalment: Monday 27th January